---------------------------------------------------------------------------------
For Patrick Swift
George Barker
Patrick Swift, for whom I write
these long delayed lines in a night
given over to bad dreams and broken
images, I tender these words as token
to your green memory, if speech
like a homing pigeon can reach
you in the lightning shrouded, stark
and at last backyard of the dark.
I think it may, for there's a sense
in which the lost intelligence
illuminates and visits spheres
it neither knows, believes or hears
but like a bird tied at a stake
feels a flight it cannot make.
And so into six feet of ground
I have descended, and have found
and silently addressed the bone
that in turn speaks to my own.
Can you, Swift, like a flint spark
rise up from the gravelled dark
illuminating the vacuity
of non-existent eternity?
(The whistling whispering Swift would
if any could, if any could.)
I saw and heard his word walk over
water and wilderness, and uncover
mysteries that had long laid hid
under the spiritual pyramid.
I heard him charm the magical snake
down from its branch, and saw him take
ideals by the hand, and show
them how to peacock to and fro.
"The theology of the object: this
animates everything that is."
The brush that he held in his hand
sign and symbol, instrument and
artillery of his graphic will
performed, against all odds, as well
as that bright goldfishing diver
his tongue: both fished from the river
secrets only nature seemed
to know or the King Fisher dreamed.
The Dawn comes up as I write this
and in its own way this verse is
to thank Ireland for her gift
to us of the painter Patrick Swift:
for Kavanagh's honesty, Yeats
for the great images he creates,
for Synge. For MacNeice, for Joyce,
for Sam Beckett and all the warty boys
yes, let some decent praise be sung
And for Swift, the Golden Tongue.
— George Barker, For Patrick Swift, reproduced in PS...of course- Patrick Swift 1927-83, Gandon Editions, 1993
---------------------------------------------------------------------------------
HOME
---------------------------------------------------------------------------------
---------------------------------------------------------------------------------
Images
---------------------------------------------------------------------------------
Dublin Oil - Dublin Watercolour/ Ink - Italy - Oakridge/ Ashwell Watercolour - Oakridge/ Ashwell Oil - London Oil - London Watercolour/ Ink - France - Algarve Oil - Algarve Watercolour/ Ink - Self-Portraits - Trees - Portraits I - Portraits II - Porches Pottery - Books - Misc - Algarve Studio
Note: many of the reproductions displayed here are of poor quality
---------------------------------------------------------------------------------
---------------------------------------------------------------------------------
By Swift
---------------------------------------------------------------------------------
Nano Reid - Some notes on Caravaggio - Italian Report - The Artist Speaks - X magazine - RHA Exhibition 1951 - Eça de Queiroz & Fernando Pessoa - The Portuguese Enigma - Notebooks - All
---------------------------------------------------------------------------------
---------------------------------------------------------------------------------
About Swift
---------------------------------------------------------------------------------
Main
Patrick Swift: An Irish Painter in Portugal - IMMA 1993 Retrospective Catalogue - Dublin 1950-2 - By His Friends - X magazine - Poems - Further Quotes About - All
By His Friends
Anthony Cronin - John Ryan - John Jordan - C.H.Sisson - Martin Green - John McGahern - David Wright - Lima de Freitas - Katherine Swift - Tim Motion - Lionel Miskin - Jacques D'Arribehaude - Brian Higgins - George Barker - Patrick Kavanagh
Further Quotes
Brian Fallon - Aidan Dunne - Derek Hill - Brendan Behan - Lucian Freud - Patrick Kavanagh - Elizabeth Smart - Further Quotes About
---------------------------------------------------------------------------------
---------------------------------------------------------------------------------
HOME
---------------------------------------------------------------------------------
