Showing posts with label -Work Trees. Show all posts
Showing posts with label -Work Trees. Show all posts
---------------------------------------------------------------------------------
Swift's 'tree portraits'
From the images that are available there is a general outline of the development of Swift's tree paintings below
---------------------------------------------------------------------------------
---------------------------------------------------------------------------------
I think that I probably have a real talent for painting trees if I developed it assiduously. I want to give them great density and depth pile heaps of detail into them and yet keep the sense of presence which is the whole point. - Swift, notebook, 1954
He made, at virtually every stage of his career, many paintings of trees. For much of the time the trees are part and parcel of some naturalistic scene, like those, for example, seen from the window of his studio in London. But many paintings zoom in on the motif itself, delighting in the hectic rhythms established by the orderly but profuse curvilinear sweep of the branches. Even earlier studies of back gardens reveal him to be drawn to the abstract qualities of tangled stems and foliage.
But when he gets into his stride in the London tree paintings, we can see not only the influence of Giacometti's spidery line, but also unmistakably echoes of Mondrian's remarkable, sustained deconstruction of the image of a single tree which, with one or two other fixed motifs, were subjected to a withering geometric analysis, and carried his art from involvement in several naturalistic styles to the most rigorous abstraction...
Swift, who admitted to respect, perhaps even admiration for Mondrian, did not subscribe to the idea of inexorable, linear progress towards formal abstraction... - Aidan Dunne, IMMA Patrick Swift Retrospective Catalogue,1993
It is possible not to begin to see a painting of his, properly speaking. What is not possible is to stop seeing it, once you have begun. - CH Sisson (poet), Gandon Editions, 1993
---------------------------------------------------------------------------------
Swift's 'tree portraits'
From the images that are available there is a general outline of the development of Swift's tree paintings below
---------------------------------------------------------------------------------
---------------------------------------------------------------------------------
I think that I probably have a real talent for painting trees if I developed it assiduously. I want to give them great density and depth pile heaps of detail into them and yet keep the sense of presence which is the whole point. - Swift, notebook, 1954
He made, at virtually every stage of his career, many paintings of trees. For much of the time the trees are part and parcel of some naturalistic scene, like those, for example, seen from the window of his studio in London. But many paintings zoom in on the motif itself, delighting in the hectic rhythms established by the orderly but profuse curvilinear sweep of the branches. Even earlier studies of back gardens reveal him to be drawn to the abstract qualities of tangled stems and foliage.
But when he gets into his stride in the London tree paintings, we can see not only the influence of Giacometti's spidery line, but also unmistakably echoes of Mondrian's remarkable, sustained deconstruction of the image of a single tree which, with one or two other fixed motifs, were subjected to a withering geometric analysis, and carried his art from involvement in several naturalistic styles to the most rigorous abstraction...
Swift, who admitted to respect, perhaps even admiration for Mondrian, did not subscribe to the idea of inexorable, linear progress towards formal abstraction... - Aidan Dunne, IMMA Patrick Swift Retrospective Catalogue,1993
It is possible not to begin to see a painting of his, properly speaking. What is not possible is to stop seeing it, once you have begun. - CH Sisson (poet), Gandon Editions, 1993
---------------------------------------------------------------------------------
------------------------------------------------------------------------------
He sees an inevitable swing in modern art from surrealism to naturalism, but adds at once: "It must be a purely visual and personal naturalism without the formulae of the academics."
- AN IRISHMAN'S DIARY, QUIDNUNC (Seamus Kelly), The Irish Times, Oct 11, 1952
Patrick Swift reached the haven of the Algarve coast… Here his painting, which before had been sophisticated and ‘cultured’, was stripped bare and became a paean of praise, both voluptuous and sacred, to a perennial Spring. His exaltation bursts forth in a blaze of colour- like in Soutine, but a Soutine of happiness. He is intoxicated by a joy that casts away the erudite codes of style and revelled in the tangibility of the natural world. Impatiently, Patrick Swift searches out the roots of inner essence. A conjunction of opposites, of a characteristically fiery imagination and the cool verdure of plants and trees produced a kind of ‘naturalism' - but one which is the antithesis of timid conformity and mediocrity and could only have emerged from a process of rediscovering and reshaping a lost innocence… Patrick Swift’s paintings are an act of praise and wonder.
- Lima de Freitas (Portuguese artist and writer), Patrick Swift 1927-83, Gandon Editions, 1993
------------------------------------------------------------------------------
------------------------------------------------------------------------------
Note: It has been suggested that there may be hidden figures in some of Swift’s tree paintings. Certainly, in many of the Algarve landscapes figures appear, often half-hidden, among trees:
Detail from Algarve Landscape. This figure is probably the Algarve Harvester "Blind Luis", whose portrait is below:
Algarve Harvester "Blind Luis"
------------------------------------------------------------------------------
---------------------------------------------------------------------------------
TOP OF PAGE
---------------------------------------------------------------------------------
---------------------------------------------------------------------------------
Images
---------------------------------------------------------------------------------
Dublin Oil - Dublin Watercolour/ Ink - Italy - Oakridge/ Ashwell Watercolour - Oakridge/ Ashwell Oil - London Oil - London Watercolour/ Ink - France - Algarve Oil - Algarve Watercolour/ Ink - Self-Portraits - Trees - Portraits I - Portraits II - Porches Pottery - Books - Misc - Algarve Studio
Note: many of the reproductions displayed here are of poor quality
---------------------------------------------------------------------------------
---------------------------------------------------------------------------------
By Swift
---------------------------------------------------------------------------------
Nano Reid - Some notes on Caravaggio - Italian Report - The Artist Speaks - X magazine - RHA Exhibition 1951 - Eça de Queiroz & Fernando Pessoa - The Portuguese Enigma - Notebooks - All
---------------------------------------------------------------------------------
---------------------------------------------------------------------------------
About Swift
---------------------------------------------------------------------------------
Main
Patrick Swift: An Irish Painter in Portugal - IMMA 1993 Retrospective Catalogue - Dublin 1950-2 - By His Friends - X magazine - Poems - Further Quotes About - All
By His Friends
Anthony Cronin - John Ryan - John Jordan - C.H.Sisson - Martin Green - John McGahern - David Wright - Lima de Freitas - Katherine Swift - Tim Motion - Lionel Miskin - Jacques D'Arribehaude - Brian Higgins - George Barker - Patrick Kavanagh
Further Quotes
Brian Fallon - Aidan Dunne - Derek Hill - Brendan Behan - Lucian Freud - Patrick Kavanagh - Elizabeth Smart - Further Quotes About
---------------------------------------------------------------------------------
---------------------------------------------------------------------------------
TOP OF PAGE
---------------------------------------------------------------------------------
---------------------------------------------------------------------------------
HOME
---------------------------------------------------------------------------------
Subscribe to:
Posts (Atom)
