Silhouette, Algarve, Patrick Swift, c.1974 (poor quality reproduction)





Nude, Algarve, Patrick Swift (1927-83), oil on canvas, c.1975 (poor quality reproduction)




Hilltop Farmhouse (Monte Gordo), Algarve, Patrick Swift (1927-83), oil on canvas, 1970s (poor quality reproduction)





Patrick Swift's Maternal Grandparents in the Wicklow Mountains, Algarve period (unfinished), oil on canvas, 1983; Swift's mother was a Mahon from Co. Wicklow (poor quality reproduction)




Algarve Studio, oil



Algarve Landscape, oil




Algarve Landscape, oil




Girl, oil




Mary Mahon (Swift's maternal grandmother), 1982/3, oil on canvas
(poor quality reproduction)





Stella Swift, Patrick Swift's daughter, oil on canvas, c.1971
(poor quality reproduction)



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Oonagh was going to have a baby. It was heavy September in the Algarve. Tiresome encroachments on our ‘long planned half solitude’ at our home there had been increasing. But at last the long summer ended. Our daughter Katty departed for school in Sussex. Mr Jones opened up his English School of the Algarve for the new term. Our youngest daughter Julie was to board there. Lisbon beckoned us, rather as Moscow beckons the characters of a Chekhov play. There was the baby and there was the book. – Swift, Portuguese notebook (Gandon Editions, 1993)

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Katherine and Juliet, Patrick Swift's daughters, oil on canvas, c.1966
(poor quality reproduction)





Algarve Landscape, Patrick Swift (1927-83),Oil on canvas, 1970s
(poor quality reproduction)





Catherine Swift, Swift's mother, oil on canvas, c.1971; Painted on a rare trip to Dublin - Swift never finished the picture as his mother reportedly disliked it, particularly the hands (poor quality reproduction)





Algarve landscape (fig trees with figure), Patrick Swift (1927-83), oil on canvas, 1970s (poor quality reproduction)





Portrait of Miguel 'O Estragador' ('The Destroyer'), Patrick Swift (1927-83), oil on canvas, Algarve period (poor quality reproduction)





view from Swift's Algarve studio, Patrick Swift (1927-83), oil on canvas, c.1970s; Exhibited Lisbon 1974 (poor quality reproduction)





Algarve Trees, Patrick Swift, oil, c.1968 (poor quality reproduction)





The Garden with Fig Tree (view from Swift's library window), c.1974, oil on canvas; exhibited in Lisbon 1974 (poor quality reproduction)





Studio Still Life, Algarve, Patrick Swift, Oil (poor quality reproduction)





Trees, Algarve, oil, c.1968 (poor quality reproduction)





Portrait of Francisco de Sá Carneiro in Swift's Algarve studio, photo taken by Tim Motion, 1984 (poor quality reproduction)


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Images
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Dublin Oil - Dublin Watercolour/ Ink - Italy - Oakridge/ Ashwell Watercolour - Oakridge/ Ashwell Oil - London Oil - London Watercolour/ Ink - France - Algarve Oil - Algarve Watercolour/ Ink - Self-Portraits - Trees - Portraits I - Portraits II - Porches Pottery - Books - Misc - Algarve Studio
Note: many of the reproductions displayed here are of poor quality
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By Swift
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Nano Reid - Some notes on Caravaggio - Italian Report - The Artist Speaks - X magazine - RHA Exhibition 1951 - Eça de Queiroz & Fernando Pessoa - The Portuguese Enigma - Notebooks - All
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About Swift
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Main
Patrick Swift: An Irish Painter in Portugal - IMMA 1993 Retrospective Catalogue - Dublin 1950-2 - By His Friends - X magazine - Poems - Further Quotes About - All

By His Friends
Anthony Cronin - John Ryan - John Jordan - C.H.Sisson - Martin Green - John McGahern - David Wright - Lima de Freitas - Katherine Swift - Tim Motion - Lionel Miskin - Jacques D'Arribehaude - Brian Higgins - George Barker - Patrick Kavanagh

Further Quotes
Brian Fallon - Aidan Dunne - Derek Hill - Brendan Behan - Lucian Freud - Patrick Kavanagh - Elizabeth Smart - Further Quotes About
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